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Greenstreet could be equally memorable just by leaning immensely forward in his chair. He could make the most offhand remark seem threatening or john considine mysterious. Both actors also possessed that special radiance of the true star. In defining beauty Thomas Aquinas describes the radiant clarity that occurs when the john considine inner identity of a thing shines forth in its true form. One never loses john considine Greenstreet or Pallette in a crowded scene. Their personalities radiate forth. (How dimly, by comparison, most current character actors glimmer.) And yet both men were expert ensemble players. A great weakness in many character actors is that they cannot work their magic without stealing a scene. It is impossible to watch the complex ensemble scenes with Greenstreet in The Maltese Falconwhere he completes a virtuoso quartet with Humphrey Bogart, Peter Lorre, and Mary Astorwithout admiring his collegial flexibility. And what a pleasure to follow Pallette through half a dozen complex scenes in Mr.
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