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| sega, fat grams, sphinx, ripper, enter the matrix, mouse, love, havoc, since, runaway, harry, 26410, proteinpower, olympus, family guy no fat chicks caps, classic, waker, weenie babies, episode, points, amber, | As mentioned above, the actual act of fighting can be awkward. In my first go-round, with a possessed guard, I seemed to get stuck in a lethal embrace, and I couldn't pull back to effectively wield my truncheon. Part of this is camera control, part is the weird targeting scheme writing mentioned above, and it's possible part may be a bug—not of the zombie writing type, but of the program type. Speaking of writing bugs, the fine sound effects dropped to an almost inaudible level during my confrontations with enemies. Hopefully, this will be corrected with a patch. Combat isn't as frequent as in those games where hordes of zombies are continuously rushing at you, but it is a major component of Curse and is difficult to judge, soon becoming button-mashing with one eye on your health meter. By the way, you'll want to pick up all the menthol and smelling salts you can find to increase your health. |
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| As regards oil lamps, the developers have taken justifiable pride in not only the harry 19th century setting, but also what they term "Victorianized components" in the inventory. Although there is harry a flamethrower available at one point, you're as likely harry to be using a policeman's truncheon in your confrontations. The museum rivals the best of classic haunted houses, with its Atrium, Torture Room, Science Exhibition, Disease and Medicine Room, and claustrophobic sewers! Unfortunately, the included and developing map is not especially precise, and you can easily become lost or disoriented. "Great Scott! Poor Devil!" —Darien Although shocked by the first "zombification" he has to dispatch, Darien soon realizes he will spend a good part of his adventure fighting, and possibly dying. Here, too, we find a serious awkwardness with the control scheme. Some of this has to do with the roving camera, occasionally painting you into a corner without clear visibility of nearby attackers until too late. |
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