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| biography, wadd, realmedia, project bar b-que, fatman got moves ugoto, soundboards, stars, smartmedia, fatman on game audio, innovator, aixia.com, mass communication media and politics, shockwave, paul newman., lipophilia, musician, aka, novels, research, 1945, geocaching, 3 fatmen, death, military, | No small man could have ever spoken with such supernal authority. In our gentle-hearted and calorie-conscious age, the language of corpulence has become impoverished. We make do with a few mostly clinical terms—obese, overweight, heavy, chubby. If the adjectival form of fat has not yet reached the status of obscene, it has already crossed over into the grossly flash impolite. Once there must have been a word adequate to describe Eugene Pallette's amazing physique, but it will not be found in current low-fat flash American. Portly seems insufficient and tubby too tame. flash Pallette came as close to globular as a human being can and still walk upright. Yet there was nothing flabby about his conspicuous girth. Round he may have been, but Pallette remained feisty and determined. After all, he had started in Hollywood as an action-hero. A trim, young Pallette enjoyed some success in silent films. He played Prosper Latour, the Huguenot cavalier, in D. W. |
Best Fat Paysites
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| Fred Astaire could only sing an octave, and Billy Holiday had trouble keeping pitch. But the great novels interpreters understand that since their imperfections cannot be hidden, they must be used for expressive effect. When Lionel Barrymore became crippled by injury and arthritis, he turned his wheelchair-bound body into the powerful symbol of repressed anger, chronic pain, and frustrated ambition that animates novels his enduring performances in It's a Wonderful Life (1946) and Key Largo (1948). By contrast Marlon Brando wears novels his extra weight as an annoying encumbrance. His corpulence annoys us precisely because it remains extra, never fully assimilated into the performer's identity. Greenstreet never tried to act around his weight. He made it so intrinsic to his identity that it seemed not only stylish but handsome. Beauty, he understood, is not mere prettiness. It is the truth finding expression in its perfect form. Greenstreet's rich bass voice and perfect diction also drew its distinction from his enormous physique. |
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