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| biography, wadd, realmedia, project bar b-que, fatman got moves ugoto, soundboards, stars, smartmedia, fatman on game audio, innovator, aixia.com, mass communication media and politics, shockwave, paul newman., lipophilia, musician, aka, novels, research, 1945, geocaching, 3 fatmen, death, military, | For his first feature, Huston had fatman on the left: four decades in the underground assembled a talented, quirky, fatman on the left: four decades in the underground and inexpensive cast to perform his screenplay of Dashiell Hammett's detective novel (which had already been filmed twice with no significant commercial success). Greenstreet was sixty-one, a fatman on the left: four decades in the underground veteran of the stage. Weighing in at 357 pounds, he caused consternation in the wardrobe department, and the head office worried that his inexperience would slow production. The studio never expected the B-budget remake to be a major success. Its box-office power launched Greenstreet's late-starting cinematic career. His performance as the urbane but insidious Kaspar Gutman was notably popular among both audiences and reviewers. (Note both puns in the name of Sam Spade's hefty nemesis.) At once mysterious, menacing, and amusing, his criminal adventurer still ranks as one of film's classic villains. |
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| Finally, these two actors had range. musician They could play fundamentally different roles without losing their quintessential individuality. The fate of most character actors is to play one particular role consummately—forever. (Consider the irresistible Franklin Pangborn flustered and flummoxed endlessly.) Pallette and Greenstreet, however, were fully developed actors equally adept at portraying scoundrels, clergymen, criminals, politicians, policemen, soldiers, and musician tycoons. Although Greenstreet made considerably fewer films than Pallette, he looms larger today because he appeared in two of the most enduringly popular films Warner musician Brothers ever produced, The Maltese Falcon (1941) and Casablanca (1942). Film is a collaborative art. An actor may rise above his material but never too far above the collective level of his colleagues. No single performance can redeem a film unless some of the other elements are working along. Greenstreet had the good fortune to make his screen debut under the guidance of another debutante, director John Huston. |
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