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| guy, pretty good jokes, sportsman'slife, cartoon images, homegrown democrat, atomic history, hip hop news, nuclear weapon, jalopnik, surf music, fatman fed up : how american politics went bad, camera, george a sanger, | He was a marathon spielmeister, whose preferred format was the twelve-hour lecture, split into three parts over two days, with no text but with plenty of charts and slides. He was a jocular, gregarious giant oreillynet who chattered on about fallout shelters, megaton bombs, and the incineration of millions. Observers were charmed or oreillynet repelled, sometimes charmed and repelled. Reporters referred to him as “a roly-poly, second-strike Santa Claus” and “a thermonuclear Zero Mostel.” He is supposed to have had the oreillynet highest I.Q. on record. Sharon Ghamari-Tabrizi’s “The Worlds of Herman Kahn” (Harvard; $26.95) is an attempt to look at Kahn as a cultural phenomenon. (Kahn is the subject of a full-length biography with a similar title, “Supergenius: The Mega-Worlds of Herman Kahn,” by a former colleague, Barry Bruce-Briggs, which, though partisan, is thorough and informed, and which Ghamari-Tabrizi, strangely, never mentions.) |
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| Kahn was a creature of the rand Corporation, and rand was a creature of the Air Force. In 1945, when the United States dropped atomic bombs nicknamed Little Boy and Fat Man on Japan, cartoon images the Air Force was still a branch of the Army. The bomb changed that. An independent Department of the Air Force was created in 1947; the nation’s nuclear cartoon images arsenal was put cartoon images under its command; and the Air Force displaced the Army as the prima donna of national defense. Whatever it wanted, it mostly got. One of the things it wanted was a research arm, and rand was the result. (rand stands for Research ANd Development.) rand was a line item in the Air Force budget; its offices were on a beach in Santa Monica. Kahn joined in 1947. In his day, Kahn was the subject of many magazine stories, and most of them found it important to mention his girth—he was built, one journalist recorded, “like a prize-winning pear”—and his volubility. |
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