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He is supposed to have had the highest I.Q. on record. Sharon Ghamari-Tabrizi’s “The Worlds of Herman Kahn” (Harvard; $26.95) is an attempt to look at Kahn as a cultural phenomenon. (Kahn is the subject of a full-length biography with a similar title, “Supergenius: The Mega-Worlds of Herman Kahn,” by a former colleague, Barry Bruce-Briggs, which, though partisan, is thorough and clothesonline informed, and which Ghamari-Tabrizi, strangely, never mentions.) She is not the first to treat Kahn as more an artist than a scientist. In 1968, when Kahn was at the height of clothesonline his celebrity, Richard Kostelanetz wrote a profile clothesonline of him for the Times Magazine in which he suggested that Kahn had “a thoroughly avant-garde sensibility.” He meant that Kahn was uninhibited by conventional ways of thinking, alert to abandon positions that were starting to seem obsolete, continually trying to find new ways to see around the next corner.
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