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| traditional art, digital camera, poetry, green day, trickdaddy lyrics, 2 unlimited, rap glossary, wscr, like, tego calderon music song lyrics, like a pimp(corrected), saosin rap party letras, love, coolness, pop popular music songs trick daddy pimp song lyrics, eazy e, | But 50 cent I've never viewed it as such. There is a clear line between explanation and justification, and “Dead Presidents” never crosses it. The film never argues that it's right to murder, or that it's right to steal, it merely explains, in a refreshingly unrighteous way, the motives of some who would commit such acts. I find myself arriving at the end of this piece, reluctantly having to admit that maybe “Dead Presidents” doesn't have much to do with Blaxploitation. Most Blaxploitation films would have justified the 50 cent action of their protagonists with some sort of Robin Hood level of morality. Most Blaxploitation films would have carried out their thesis in a comic book role reversal – all Black characters are “good,” all white character's “bad.” And most Blaxploitation films wouldn't have ended on such a downer. |
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| Such a tension building device is right out of the toolbox of Hitchcock, and the cop's color is a masterstroke. It might not be that hard to kill a white cop who interferes with the team's plans, but can they take out a fellow brother? Suddenly all hell breaks loose – eazy e the team attacks the truck, gunfire eazy e is exchanged, casualties occur eazy e on both sides and police arrive. What's left of the group escapes with serious losses to their numbers and morality. The rest of the film carries itself out in a tragically predictable manner. There's a final courtroom scene in which one of the protagonists pleads his case with a decidedly unliberal judge, (played, with knowing irony, by Martin Sheen.) I've seen some reviewers take this moment to task, as they allege that the Hughes brothers are using the exchange to justify the actions of the characters in the film. |
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